Glass Cutting and Shaping
Once
the glass selection has been finalized and the full-size drawing is complete,
it is time to select the actual glass sheets that will be cut into the
component pieces for the windows design. The artist must carefully choose
the ideal area of the colored glass sheet, taking into account the variations
within the sheet, to achieve the desired artistic expression. As pieces are cut
they are laid out on a light table, or a viewing easel. The easel is a sheet of
clear glass that is positioned in front of a natural light window and the
stained glass pieces are temporarily fixed onto it.using sticky wax. This way
the artist can examine the effect of light passing through the stained glass
composition. They will examine color, density, streak direction, texture, and
any other aspect that may have an effect on the overall composition and make
refinements and adjustments as necessary. When the client-artist trust
relationship is in place, artistic license is granted to the artist to make
changes and refinements during the process of designing, developing, and
building a stained glass window. Often while the glass is being cut or laid out
the artist will have an insight for a refinement that will add greater beauty
to the finished window. Placing restrictions on this artistic license does not
allow for artistic intuition to occur or for artistic genius to manifest
itself.
Article continues... Glass Painting
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Left: The glass pieces are cut out, painted and waxed up on a glass easel or
laid out on a light table to check the effect of light passing through the
stained glass composition. Example shown is St. Boniface window for Christ the
King Abbey, Cullman, Alabama.
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